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| CV: |
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| Contact | Education | Solo exhibitions & projects | Group exhibitions | Bibliography | Own writing | Editing | |
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| Works: |
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| A Glossary of Possible Gestures | A Landscape of Known Facts | Skejten Glamour | Estimations | Production of Futures. A Science Fiction About Counting. | Some statements in relation to a bank | TIFO (event) | 9 Scripts from a Nation at War | Televised 1: The I, the Anchor, and the Studio | Capital Failure (Sold) | If You Read This, I'll Give it to You | Exterior City | What is Capitalism? | Safety Graffiti on hedges / in Odense | Was ist Oeffentlichkeit? | Monument for image production and image consumption | Meaning is what hides the instability of one's position | If I give you a Name, will you give me one? | I will describe only one more thing today: | Of course the pain was not physical | Outerplace | Vollsmose and the Painting of Balconies | Graffiti on Hedges | Left Unsaid | Languages of 82% | Other Double Binds | Double Cinema | Kahve & Kulüp | Love is the Poetry of the Mob | All of the Houses in the Area… (II) | Safety Guarantee | Two Doors | Withinwithout | Mapping Vienna | Evening Piece | Double Feature |
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Drawings,
fotos,
smaller projects: |
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| Exterior City Sets of Stills | 6 tables for a final and definite mapping of the city | Distribution (lines and curves of desire) | Your body is an image | Fitting/voting | Danish Standards | How to Photograph Women | Three Notes on Architecture | Everything in Capitalism | Airbags | Safety |
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| Texts: |
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| Own texts | Texts by others | |
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| Meta: |
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| Links to collaborators in art & production | Links to institutions & shows | oe – critical readers in visual cultures | |
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